Creating Across Cultures – Women in the Arts from China, Hong Kong, Macau and Taiwan - Creating Across Cultures – Women in the Arts from China, Hong Kong, Macau and Taiwan

About the Book

This collection of profiles celebrates the artistic achievements of sixteen visionary women from a region of surprisingly diverse cultures despite their geographical proximity.

From literary figures like Nieh Hualing and dance icons like Yang Meiqi, to bold contemporary artists Yin Xiuzhen and Lulu Hou, their creativity covers a wide range of literary, visual and performing arts.

These courageous women often had to defy cultural expectations in order to heed their artistic drive. Their artworks delve into the social realities of their times, and their personal stories provide an intimate portrait of the historical trajectory of Greater China over three generations.

Written by journalists and scholars with deep knowledge of the arts in Asia, and richly illustrated with images of art and historical events, the collection reveals the vibrance of women’s art in the region.

Featured Artists

WANG XINXIN is a master performer of the musical genre called Nanguan. Originally from Fujian, she founded the Xinxin Nanguan Ensemble in Taipei in 2003 and performs traditional repertoire as well as contemporary adaptations of Chinese poetry and Buddhist sutra.

JAFFA LAM is a Hong Kong artist who specializes in the creation of large-scale, site-specific works, mixed-media sculptures and installations, usually made with salvaged materials such as crate wood, old furniture and recycled fabric. Lam’s art involves and reflects strong elements of community, connection and collaborative processes.

WEN HUI is a choreographer, actor, documentary filmmaker and founder of Living Dance Studio, which became China’s first independent dance theater collective in 1994. She has choreographed more than twenty groundbreaking multimedia productions that have toured the world.

PISUI CIYO is an award-winning choreographer, performer and educator born into the Atayal tribe in Taiwan. Her works of multimedia dance theater combine traditional indigenous art forms with Flamenco and modern performance art to create an expression of the contemporary indigenous artist.

BUN-CHING LAM is one of a growing number of Chinese women composers who are active on the international stage. A daughter of Macau, she is a passionate student of Chinese art, literature and aesthetics. Lam’s music is beyond East or West, dissolving boundaries to become an art that is truly representative of today’s interconnected world.

CHOI YAN CHI is an installation artist, painter, educator and cultural advocate, who has helped to build contemporary art in Hong Kong for more than thirty years. She was a pioneer of new art forms, from installation to cross-media performance, and founded one of the city’s first independent art spaces.

YANG MEIQI, a renowned dance artist and educator, established China’s first modern dance troupe, the Guangdong Modern Dance Company, in 1992. Yang, who has been called the “Mother of Modern Dance in China,” nurtured the first and second generations of modern dance choreographers in China and is the leading force behind modern dance education.

YIN XIUZHEN is a leading contemporary artist in China whose installations have been exhibited in major museums across the world. Using recycled materials, she explores issues of globalization and seeks to preserve a memory of disappearing lifestyles resulting from excessive urbanization and development.

YANG LINA is an award-winning filmmaker based in Beijing. A pioneer among contemporary Chinese directors, her unflinching documentaries have illuminated the plights of China’s marginalized, including women, children and the elderly.

MUI CHEUK YIN, a modern dance choreographer based in Hong Kong, is one of the leading dance-makers in East Asia today. She performed as principal dancer with the Hong Kong Dance Company for a decade and has created more than fifty works for ensembles in Asia, Europe and North America.

LULU HOU is a conceptual artist, scholar and educator, whose works raise awareness about the realities of marginalized people in Taiwan society. In recent years she has expanded her portfolio to include the preservation of architectural and cultural heritage in southern Taiwan.

WU NA is a virtuoso performer and teacher of the guqin, an ancient stringed instrument that dates back nearly 3,000 years. Her personal and musical mission is to create a contemporary voice for the guqin, one that has relevance in today’s China and beyond, while still preserving the instrument’s core spiritual and aesthetic values.

LIAO WEN is an arts writer, critic and curator, whose unerring eye for emerging artists and trends helped to shape Chinese contemporary art. She curated one of the earliest exhibitions of Chinese women’s contemporary art (in 1995) and introduced a pioneering Chinese look at feminism in art with her book No More Nice Girls (2002).

NIEH HUALING, born in Wuhan, China, is the author of more than two dozen books of fiction, critical essays and English translations. In 1967, along with her husband Paul Engle, she established the University of Iowa’s International Writing Program, which was nominated for a Nobel Peace Prize in 1976.

CANDACE CHONG is a prolific, award-winning Hong Kong playwright, whose timely plays have captured the essence of the sui generis Hong Kong identity. Written in Cantonese, her works have resonated deeply with a new generation of theatergoers in Hong Kong.

TIAN MANSHA is a master performer of chuanju (Sichuan opera) and a creator, teacher and director of xiqu, or traditional Chinese opera forms. Her repertoire includes classical pieces, Shakespeare adaptations, contemporary commissions and avant-garde xiqu works.

Praise for Creating Across Cultures

“Creating Across Cultures is a magnificent book. Smartly conceived and well-executed, with something fascinating on every page.”
Evan OsnosAuthor of Age of Ambition: Chasing Fortune, Truth and Faith in the New China
“Creating Across Cultures: Women in the Arts from China, Hong Kong, Macau, and Taiwan is an indispensable resource for anyone seeking to understand the dynamism underpinning what some are calling the Chinese Century. In these portraits of sixteen extraordinary women, whose achievements in art, dance, literature, music, and theater have profoundly shaped contemporary aesthetic, cultural, and social discourses, we glimpse worlds upon worlds, any one of which may change the very ways in which we make meaning of our time on earth. This is a treasure.”
Christopher MerrillDirector of the International Writing Program at the University of Iowa and author of Self-Portrait with Dogwood
“My heart is so full of joy reading this book. Creating Across Cultures is the result of many years of meticulous research, and it comprehensively documents the achievements of female aesthetics through the work of these important artists. The writing is also about real lives, their loves and struggles. Readers will connect with concrete life experiences that no abstract theories should replace.”
Eva K. W. ManAuthor of Bodies in China: Philosophy, Aesthetics, Gender and Politics
“Is there ‘something unexplained about women that only a woman can explain’ (to rephrase Georgia O’Keeffe’s statement into a question)? Under its chief editor, also a woman—Michelle Vosper, who was Director of the Hong Kong Arts Program at the Asian Cultural Council for 25 years—Creating Across Cultures explains it vividly and movingly. I find the life stories of these artists as fascinating as their ebullient creations. In particular, Vosper has done a most remarkable and touching portrait of the source of inspiration for them all—the inimitable Nieh Hualing.”
Leo Ou-fan LeeThe Sin Wai Kin Professor of Chinese Culture at The Chinese University of Hong Kong and author of Shanghai Modern: The Flowering of a New Urban Culture in China, 1930–1945
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Meet the Team

Concept creator Michelle Vosper galvanized an impressive group of accomplished Asian scholars and cultural journalists to join her in contributing to this collection of stories about sixteen extraordinary women in the arts.

In addition to these writers, other creative minds were invaluable in achieving the quality of the publication. Managing editor Mary Child ensured the caliber of both prose and content, sharing years of experience as Asian studies editor at both Cambridge University Press and Oxford University Press. The visually captivating design was the artistry of veteran graphic designer Sohing Chau, supported by photo editor P.Y. Lau whose company Inkers Inc. also handled project management.

Creating Across Cultures was inspired by Michelle’s observation of the special challenges faced by women artists throughout her career in cultural exchange. She lived in Hong Kong for thirty years where she directed the Hong Kong Program of the New York-based Asian Cultural Council, a foundation which has awarded fellowships to more than 5,000 individual artists. She entered the field in 1978 as assistant to the distinguished composer Chou Wen-chung when he launched the first US-China Arts Exchange program at Columbia University. Later, in 2018, she and visual artist Li Xiaofei teamed up to create the documentary “Chou Wen-chung: Composer of Confluence.” Michelle now lives in rural New Jersey where she devotes her time to work in wildlife preservation and writing about local history.

Michelle Vosper

About the Writers

Liza Bielby

LIZA BIELBY is founder and co-director of the Detroit-based experimental theater company, The Hinterlands. Prior to establishing the company in 2009, she studied chuanju (Sichuan Opera) at the Sichuan Provincial Arts and Chuanju School, where she met her mentor, Tian Mansha, who is the subject of Chapter 11. Liza is the only non-Chinese national to have studied and performed chuanju throughout China. She holds an MFA in ensemble-based physical theater from Dell’Art International.

Christina Yuen Zi Chung

CHRISTINA YUEN ZI CHUNG is a writer, translator, and PhD student in the Gender, Women, and Sexuality Studies department of the University of Washington. Drawing upon her experiences working in the arts in Asia, her present research is focused on feminist analyses of contemporary art from Hong Kong and Mainland China. She is a Governing Board Member of China Residencies, an online directory and advisory platform for artist residencies in China.

Samantha Culp

SAMANTHA CULP is a Los Angeles-based writer, curator and producer who spent the past decade in greater China working at the intersection of art, film and new media. Her writing and criticism have appeared in publications such as Artforum, New York Times T Magazine, the Wall Street Journal, and as a contributing editor of China’s bilingual art magazine LEAP (艺术界).

Valerie C. Doran

VALERIE C. DORAN is a Hong Kong–based curator and critic in the field of Chinese contemporary art, with interests in cultural crosscurrents and comparative art theory. Her recent curatorial projects include the group show The Garden of Winter Light: A Space to Linger, in collaboration with installation artist Lee Man Sang (2015); Frog King Totem, an exhibition of the artist Frog King Kwok (2014); and Made in Hong Kong, featuring works by conceptual artist Leung Mee Ping (2014).

Jennifer Feeley

JENNIFER FEELEY is the co-editor of Simultaneous Worlds: Global Science Fiction Cinema (University of Minnesota Press, 2015) and the translator of Not Written Words: Selected Poetry of Xi Xi (Zephyr Press and MCCM Creations, 2016), which World Literature Today named one of the 75 notable translations of 2016. She holds a PhD in East Asian Languages and Literatures from Yale University and is the recipient of a Luce Foundation Chinese Poetry and Translation Fellowship.

Georg Kochi

GEORG KOCHI has devoted his professional life to working in arts and cultural organizations that bridge the Pacific Ocean through presentations and artist support. After serving as the Asian Cultural Council’s Representative in Tokyo from 1992 to 2010, he became a member of the advisory council of Tama Art University in Tokyo and has been a long-serving trustee of the Isamu Noguchi Garden Museum in Japan.

Tina Li Ying Ma

TINA LI YING MA is a performance artist based in Taipei, who uses voice, music, stories and art to create performances and healing experiences. Her work is grounded in a native Taiwanese sensibility and often takes inspiration from mythology and the spirituality of indigenous cultures. For many years Tina has been a supporter of the ACC Taiwan Foundation and its grantees and is a seasoned practitioner of the tea arts.

Terry O’Reilly

TERRY O’REILLY (易光海) is a playwright, performer and director who has been an artistic director of Mabou Mines in New York for more than four decades. A versatile artist, his work ranges from dancing in the companies of Trisha Brown, Simone Forte and Meredith Monk to directing minimalist opera in Belgrade to directing and co-writing (with Simon Wong) a children’s puppet play in Hong Kong.

Ralph Samuelson

RALPH SAMUELSON is Senior Advisor of the Asian Cultural Council (ACC), where he began his career in 1976 and served as Director 1991 to 2008. He is also an acclaimed performer, teacher and recording artist of the Japanese bamboo flute, the shakuhachi , which he performs internationally.

Clare Tyrrell-Morin

CLARE TYRRELL-MORIN is a writer and editor with a focus on cross-cultural shifts and cultural hybridity. She was born in England, raised in Hong Kong, and has spent 15 years working as an arts writer for HK Magazine, the South China Morning Post and as founding art editor of Time Out Hong Kong.

Sasha Su-Ling Welland

SASHA SU-LING WELLAND, Associate Professor in Gender, Women & Sexuality Studies and an affiliated faculty member in China Studies at the University of Washington. She is the author of “Experimental Beijing: Gender and Globalization in Chinese Contemporary Art”, published by Duke University Press in 2018. Her earlier publication, “A Thousand Miles of Dreams: The Journeys of Two Chinese Sisters” (2006) traces the social history and border-crossing lives of two women who emerged from China’s early twentieth-century women’s movement.